photo: lyle poulin
Like a lot of families, we have been starting seeds indoors. Delicate lettuce and nettle on the windowsill, sturdier basil, squash, and sunflowers on the back porch. With the quieter, slower pace of life during the pandemic, we have time to witness their growth. After very minimal effort on our part, after a week of watering and no sign of change, we start to notice the first movements of the first seeds, a barely perceptible shift from darkness into light.
It is the Saturday before Easter. In the chronology of the story of Jesus’s death and resurrection, Saturday is the and. Limbo time. Liminal. It is the day between two starkly different days. Between the painful, terrible truth of the death of a controversial, radically loving man, at the hands of the people he came to liberate, and the impossible, mysterious transformation of that death into supernatural forgiveness, into eternal life for him, and the promise of the same for everyone who chooses to take on the work of loving bravely and sacrificially.
On Good Friday, the man Jesus is put to death– his body hung on a cross, murdered, and buried in a cave, with a heavy stone rolled over the entrance. On Easter Sunday, his body is mysteriously absent from that tomb, and all kinds of strange, inexplicable things happen. He appears to his followers, not as an apparition but in his body– a changed body, but human flesh and blood nonetheless– to tell them to get up, to celebrate, because he is not dead but more alive than ever. And it just gets weirder and better from there. The whole story of Christianity begins there, on Easter Sunday when Christ rose from the dead.
But Saturday? Saturday is dark. Saturday is the heavy dark silence of the tomb, the feeling of no escape, no exit. Saturday is an eternity without Easter. Saturday is the finality of death, is death as the last word.
It strikes me that we are living in Saturday times. The pandemic feels like Holy Saturday on repeat. A Groundhog Day of in-between, of and, where death is the only thing that feels certain. It feels even more necessary, and even more difficult, to hope for Easter this year.
I think of my church, where I haven’t been since Christmas. In the Episcopal tradition, the cross is covered with cloth during Holy Week. We try to suspend our knowledge of the rest of the story. Having sung our last Alleluia the Sunday before Ash Wednesday, and with the Lenten season almost behind us, our mouths are parched with its absence. In years past, on Sunday after Sunday before Easter, I have had to stop myself from sliding easily into that familiar word, and so by Holy Saturday my whole body feels like it is leaning forward, at the edge of my seat, waiting for the word to flower on all of our tongues. At midnight, the Easter vigil marks the transition from death to new life, and with sunrise, Easter’s promise breaks through with light in the darkness. Alleluia: Praise the Lord. Joy and triumph.
Christians living after the crucifixion have the benefit of knowing this promise. We know the whole story at the outset: that inside of darkness there is light, inside of despair there is joy. This is the human story, the paradox of great suffering existing alongside great love, that Jesus came to offer us. But on Saturday, in Jesus’s time, his friends and followers didn’t yet know this.
So on Holy Saturday, we practice that not-knowing. And it is terrible. For me, it’s really hard to sink into that knowing, to allow myself to feel that bleakness, that absence of escape from the tomb. This year, it feels less like an intellectual exercise, and more of a reckoning with what I feel all around me.
What is the faith of the follower who does not know, has not yet experienced the return of Jesus, Love’s triumph over death? What did it feel like to be Mary Magdalene in the hours before sunrise? She does not yet know that when she goes to the tomb, she will find the huge stone moved from the entrance, the whole cave flooded with light, empty.
photo: lyle poulin
So it is called Black Saturday, Joyful Saturday, Holy Saturday, Great Sabbath. And, and, and. All of these in one.
I feel like I am always, despite my meager prayers and my best efforts, the follower who does not yet know. Only in my most private moments of despair have I felt what I think of as Love breaking through, something I don’t think even approaches what I imagine Mary Magdalene must have felt when she saw the empty tomb and later her beloved teacher again. The certainty she must have felt with her body, canceling out her mind’s disbelief. I feel like most of the time I live my life inside of and, in limbo. My mind constantly fighting my body’s knowing that Love is alive and waits for me.
Inside this dark, endless Saturday of the pandemic, I struggle to make any movements toward faith. My prayers are wordless. My doubt and fear take up most of the space; keeping my hands busy and being present for my kids fills in the rest. The most I can do is try to keep a small space open in my heart for the possibility of Love’s return. I want so much to believe that life triumphs over death, but it’s hard to do. As it must have eventually become, even for Mary, once the shock wore off. Even after you see it, feel it, know it, it remains difficult to hold onto, because we are human.
So even though we are always in need of Easter, always in need of God’s mercy for our failures and mistakes, and the reassurance that we belong in Love, I feel it more deeply this year. I’m not even sure what that means at the literal level of the mind. It just feels like my body is leaning more heavily toward Alleluia, like my eyes can’t get enough of the sight of seeds sending out green shocks of light, breaking loose through dark soil.
I just started writing short introductions for Image Journal‘s weekly online feature Poetry Friday.
Melissa Reeser Poulin 